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SYLVANA BARRETT/ an online guide to historic art materials and techniques
cennini21 HOMEGILDINGMANUSCRIPT ILLUMINATIONSILVERPOINTEGG TEMPERADISTEMPER (UNDER CONSTRUCTION)17th CENTURY OIL TECHNIQUEFRESCOHISTORIC PIGMENTSPAINT GESSO GROUNDS - SIZING - GLUES
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TRADITIONAL OIL TECHNIQUE


17th CENTURY OIL TECHNIQUE

 

 BAROQUE PAINTING: MATERIALS AND TECHNIQUES 

Baroque painters typically worked with a limited palette of pigments bound in oil on a colored or tinted ground.
They refer to three specific stages in the development of their paintings; the “inventing” or under-drawing,
the “dead color” a monochrome or pale under-painting and the “working-up” or development of the painting itself.

REFERANCES:

 “Still Lifes: Techniques and Style “       

Arie Wallert (ed.)

Publication of Rijksmuseum, Amsterdam

 

“Art in the Making: Rembrandt”

The National Gallery, London

Out of print but available used.

 

“Rembrandt; The Painter at Work”

Ernst van de Wetering

Amsterdam University Press

 

 

 

 


 

cennini21 HOMEGILDINGMANUSCRIPT ILLUMINATIONSILVERPOINTEGG TEMPERADISTEMPER (UNDER CONSTRUCTION)17th CENTURY OIL TECHNIQUEFRESCOHISTORIC PIGMENTSPAINT GESSO GROUNDS - SIZING - GLUES